diphthongs and tittles
a conglomeration of everything that inspires, moves, and excites a 20 y.o. graphic design student.
diphthongs and tittles
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typeworship:

Grow your own typeface

These intricate visuals have been produced by an interactive application used to grow type mathematically. They were produced by Jana Schiebel and Caroline Hebel as part of a ‘generative typography’ project at the University of Applied Sciences in Wiesbaden, near Frankfurt in Germany.

I haven’t been able to find much information on the process but you can see that by specifying the number of lines and the acuteness of each angle, varying of degrees success can be achieved in defining the structure of the letterforms. 

See more ‘Math type’ here.

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Math Typography
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typeworship: Grow your own typeface These intricate visuals have been produced by an interactive application used to grow type mathematically. They were produced by Jana Schiebel and Caroline Hebel as part of a ‘generative typography’ project at the University of Applied Sciences in Wiesbaden, near Frankfurt in Germany. I haven’t been able to find much information on the process but you can see that by specifying the number of lines and the acuteness of each angle, varying of degrees success can be achieved in defining the structure of the letterforms.  See more ‘Math type’ here.
typeworship: Grow your own typeface These intricate visuals have been produced by an interactive application used to grow type mathematically. They were produced by Jana Schiebel and Caroline Hebel as part of a ‘generative typography’ project at the University of Applied Sciences in Wiesbaden, near Frankfurt in Germany. I haven’t been able to find much information on the process but you can see that by specifying the number of lines and the acuteness of each angle, varying of degrees success can be achieved in defining the structure of the letterforms.  See more ‘Math type’ here.
typeworship: Grow your own typeface These intricate visuals have been produced by an interactive application used to grow type mathematically. They were produced by Jana Schiebel and Caroline Hebel as part of a ‘generative typography’ project at the University of Applied Sciences in Wiesbaden, near Frankfurt in Germany. I haven’t been able to find much information on the process but you can see that by specifying the number of lines and the acuteness of each angle, varying of degrees success can be achieved in defining the structure of the letterforms.  See more ‘Math type’ here.
typeworship: Grow your own typeface These intricate visuals have been produced by an interactive application used to grow type mathematically. They were produced by Jana Schiebel and Caroline Hebel as part of a ‘generative typography’ project at the University of Applied Sciences in Wiesbaden, near Frankfurt in Germany. I haven’t been able to find much information on the process but you can see that by specifying the number of lines and the acuteness of each angle, varying of degrees success can be achieved in defining the structure of the letterforms.  See more ‘Math type’ here.
typeworship: Grow your own typeface These intricate visuals have been produced by an interactive application used to grow type mathematically. They were produced by Jana Schiebel and Caroline Hebel as part of a ‘generative typography’ project at the University of Applied Sciences in Wiesbaden, near Frankfurt in Germany. I haven’t been able to find much information on the process but you can see that by specifying the number of lines and the acuteness of each angle, varying of degrees success can be achieved in defining the structure of the letterforms.  See more ‘Math type’ here.

dailyspecimen:

Akzidenz-Grotesk (Standard) Light. I read that this font was popular in Germany or something.

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dailyspecimen: Akzidenz-Grotesk (Standard) Light. I read that this font was popular in Germany or something.
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55his:

Presenting The Awesomest Cards. A series of 8 typographic congratulations cards for use in anything life may throw at you.

  • Did someone move into a new place? DOPE!
  • Did someone get engaged? AWESOME!
  • Promoted? RAD!
  • Sick? SICK!
  • From Boston? WICKED AWESOME! (requires the purchase of two cards for this sentiment)
Permalink (1,215 notes) Source: 55his.com Via: typejunkie
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55his: Presenting The Awesomest Cards. A series of 8 typographic congratulations cards for use in anything life may throw at you. Did someone move into a new place? DOPE! Did someone get engaged? AWESOME! Promoted? RAD! Sick? SICK! From Boston? WICKED AWESOME! (requires the purchase of two cards for this sentiment)
55his: Presenting The Awesomest Cards. A series of 8 typographic congratulations cards for use in anything life may throw at you. Did someone move into a new place? DOPE! Did someone get engaged? AWESOME! Promoted? RAD! Sick? SICK! From Boston? WICKED AWESOME! (requires the purchase of two cards for this sentiment)
55his: Presenting The Awesomest Cards. A series of 8 typographic congratulations cards for use in anything life may throw at you. Did someone move into a new place? DOPE! Did someone get engaged? AWESOME! Promoted? RAD! Sick? SICK! From Boston? WICKED AWESOME! (requires the purchase of two cards for this sentiment)
55his: Presenting The Awesomest Cards. A series of 8 typographic congratulations cards for use in anything life may throw at you. Did someone move into a new place? DOPE! Did someone get engaged? AWESOME! Promoted? RAD! Sick? SICK! From Boston? WICKED AWESOME! (requires the purchase of two cards for this sentiment)
55his: Presenting The Awesomest Cards. A series of 8 typographic congratulations cards for use in anything life may throw at you. Did someone move into a new place? DOPE! Did someone get engaged? AWESOME! Promoted? RAD! Sick? SICK! From Boston? WICKED AWESOME! (requires the purchase of two cards for this sentiment)
55his: Presenting The Awesomest Cards. A series of 8 typographic congratulations cards for use in anything life may throw at you. Did someone move into a new place? DOPE! Did someone get engaged? AWESOME! Promoted? RAD! Sick? SICK! From Boston? WICKED AWESOME! (requires the purchase of two cards for this sentiment)
55his: Presenting The Awesomest Cards. A series of 8 typographic congratulations cards for use in anything life may throw at you. Did someone move into a new place? DOPE! Did someone get engaged? AWESOME! Promoted? RAD! Sick? SICK! From Boston? WICKED AWESOME! (requires the purchase of two cards for this sentiment)
55his: Presenting The Awesomest Cards. A series of 8 typographic congratulations cards for use in anything life may throw at you. Did someone move into a new place? DOPE! Did someone get engaged? AWESOME! Promoted? RAD! Sick? SICK! From Boston? WICKED AWESOME! (requires the purchase of two cards for this sentiment)

goodtypography:

“Create Something Beautiful” - A poster homage to my favourite typeface ‘Alpine Script’ from Charles Borges de Oliveira. 

by Maria Warnes

Permalink (589 notes)Source: goodtypographyVia: typejunkie
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goodtypography: “Create Something Beautiful” - A poster homage to my favourite typeface ‘Alpine Script’ from Charles Borges de Oliveira.  by Maria Warnes

zeroing:

Sign

Permalink (391 notes)Source: zeroingVia: publicfonts
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ampersand
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zeroing: Sign

twentysixtypes:

Venitiennes de Laurent et Deberny (by Ampersanden)

Permalink (237 notes)Source: flickr.comVia: typeworship
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twentysixtypes: Venitiennes de Laurent et Deberny (by Ampersanden)

dailyspecimen:

Spartan is an American knockoff of Futura that was sold by ATF and Linotype. The family was introduced in 1939 and expanded over a period of decades.

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dailyspecimen: Spartan is an American knockoff of Futura that was sold by ATF and Linotype. The family was introduced in 1939 and expanded over a period of decades.
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smokingmegaphone:

Eva Markova

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typography
art
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Eva Markova
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smokingmegaphone: Eva Markova
smokingmegaphone: Eva Markova
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allandlopez:

Allan D. Lopez
Movable Rubik Type
Spring 2012, Independent Project
Wood, Rubik’s cube
2.2 in. × 2.2 in. × 2.2 in.

This Rubik’s cube serves as a handheld wooden letter press that can reassemble the anatomical structure of six historic typefaces: Blackletter, Baskerville, Poster Bodoni Futura, Helvetica, and Gotham. The letter “m” was chosen as it is the standard from which all other em widths within an alphabet are derived. The use of a Rubik’s cube serves as an analogy for the evolution and complication of typography over centuries.

Permalink (166 notes) Via: godlycheese
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allandlopez: Allan D. LopezMovable Rubik TypeSpring 2012, Independent ProjectWood, Rubik’s cube2.2 in. × 2.2 in. × 2.2 in. This Rubik’s cube serves as a handheld wooden letter press that can reassemble the anatomical structure of six historic typefaces: Blackletter, Baskerville, Poster Bodoni Futura, Helvetica, and Gotham. The letter “m” was chosen as it is the standard from which all other em widths within an alphabet are derived. The use of a Rubik’s cube serves as an analogy for the evolution and complication of typography over centuries.
allandlopez: Allan D. LopezMovable Rubik TypeSpring 2012, Independent ProjectWood, Rubik’s cube2.2 in. × 2.2 in. × 2.2 in. This Rubik’s cube serves as a handheld wooden letter press that can reassemble the anatomical structure of six historic typefaces: Blackletter, Baskerville, Poster Bodoni Futura, Helvetica, and Gotham. The letter “m” was chosen as it is the standard from which all other em widths within an alphabet are derived. The use of a Rubik’s cube serves as an analogy for the evolution and complication of typography over centuries.
allandlopez: Allan D. LopezMovable Rubik TypeSpring 2012, Independent ProjectWood, Rubik’s cube2.2 in. × 2.2 in. × 2.2 in. This Rubik’s cube serves as a handheld wooden letter press that can reassemble the anatomical structure of six historic typefaces: Blackletter, Baskerville, Poster Bodoni Futura, Helvetica, and Gotham. The letter “m” was chosen as it is the standard from which all other em widths within an alphabet are derived. The use of a Rubik’s cube serves as an analogy for the evolution and complication of typography over centuries.
allandlopez: Allan D. LopezMovable Rubik TypeSpring 2012, Independent ProjectWood, Rubik’s cube2.2 in. × 2.2 in. × 2.2 in. This Rubik’s cube serves as a handheld wooden letter press that can reassemble the anatomical structure of six historic typefaces: Blackletter, Baskerville, Poster Bodoni Futura, Helvetica, and Gotham. The letter “m” was chosen as it is the standard from which all other em widths within an alphabet are derived. The use of a Rubik’s cube serves as an analogy for the evolution and complication of typography over centuries.

themetaq:

The second rule of type club is you don’t talk about type club.

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typography
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themetaq: The second rule of type club is you don’t talk about type club.